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story.lead_photo.caption This image released by NBC shows filmmaker Sam Mendes accepting the award for best motion picture drama for "1917" at the 77th Annual Golden Globe Awards at the Beverly Hilton Hotel in Beverly Hills, Calif., on Sunday, Jan. 5, 2020. (Paul Drinkwater/NBC via AP)

The 77th Golden Globes were meant to be a coronation for Netflix. Instead, a pair of big-screen epics took top honors Sunday, as Sam Mendes' technically dazzling World War I tale "1917" won best picture, drama, and Quentin Tarantino's radiant Los Angeles fable "Once Upon a Time in Hollywood" won best film, comedy or musical.

The wins for "1917" were a surprise, besting such favorites as Noah Baumbach's "Marriage Story" (the leading nominee with six nods) and Martin Scorsese's "The Irishman." Both are acclaimed Netflix releases but they collectively took home just one award, for Laura Dern's supporting performance as a divorce attorney in "Marriage Story." "The Irishman" was entirely shut out.

"1917" also won best director for Mendes. The film was made in long takes, giving the impression of it unfolding in one lengthy shot.

"Once Upon a Time in Hollywood" had an easier path than the more competitive drama category. Brad Pitt won for best supporting actor, his first acting Globe since winning in 1996 for "12 Monkeys," padding his front-runner status for the Oscars.

"I wanted to bring my mom, but I couldn't because any woman I stand next to they say I am dating so it'd just be awkward," Pitt said.

Throughout the night, those who took the stage used the moment to speak on matters including the currently raging Australian wildfires, destabilization in Iran, women's rights, the importance of LGBT trailblazers, and even, the importance of being on time.

Ricky Gervais, hosting the NBC-telecast ceremony for the fifth time, argued Netflix had taken over Hollywood, given the streaming service's commanding 34 nominations, in film and TV, coming into the Globes. However, the awards were widely spread around among traditional Hollywood studios, indie labels like A24, cable heavyweights like HBO and relative newcomers like Hulu.

As always at the Globes, there were surprises. Mendes' best director prize bested the likes of Martin Scorsese ("The Irishman"), Tarantino and Bong Joon Ho ("Parasite"). The award was well-timed for "1917," which expands nationwide Friday.

"There is not one director in the world that is not in the shadow of Martin Scorsese," a plainly surprised Mendes said.

Awkwafina, the star of the hit indie family drama "The Farewell," became the first woman of Asian descent to win best actress in a comedy or musical. "If anything, if I fall upon hard times, I can sell this," Awkwafina said, holding the award.

No other category has been more competitive this year than best actor. On Sunday, Joaquin Phoenix won for his loose-limbed performance in the divisive but hugely popular "Joker" in a category that included Adam Driver ("Marriage Story").

Gervais, who has a series on Netflix, said he could summarize the three-hour award show with a simple phrase: "Well done, Netflix. You win." The streaming giant came into the Globes with a commanding 34 nods: 17 in film categories and 17 in television categories.

Laura Dern, the best supporting actress front-runner for her performance as a divorce attorney in "Marriage Story," won her fifth Globe. (Dern even served as Miss Golden Globe at age 15.) Her win denied Jennifer Lopez, the "Hustlers" star, her first major acting award.

The first award of the night went to a streaming service series. Ramy Youssef won best actor in a TV series comedy or musical for his Hulu show "Ramy." Best actor in a limited series went to Russell Crowe for the Showtime series "The Loudest Voice." He wasn't in attendance because of raging wildfires in his native Australia.

"Make no mistake, the tragedy unfolding in Australia is climate-change based," Crowe said in a statement read by presenters Jennifer Aniston and Reese Witherspoon.

Ahead of Sunday's show, some wondered how much the rising tensions with Iran would be talked about following the United States' targeted killing Friday of Iranian Gen. Qassem Soleimani. That went unmentioned until more than halfway through when Patricia Arquette, a winner for her performance in Hulu's "The Act," said history wouldn't remember the day for the Globes but will see "a country on the brink of war." She urged all to vote in November's presidential election.

Phoebe Waller-Bridge followed up her Emmy haul by winning best comedy series and best actress in a comedy series. She thanked former President Barack Obama for putting "Fleabag" on his best-of-2019 list.

Waller-Bridge's co-star Andrew Scott (of "hot priest" fame) missed out on the category's supporting actor award, which Stellan Skarsgrd took for HBO's "Chernobyl."

HBO was also triumphant in best TV drama, where the second season of "Succession" bested Netflix's "The Crown" and Apple TV Plus' first Globe nominee, "The Morning Show." Brian Cox, the Rupert Murdoch-like patriarch of "Succession," also won best actor in a drama series. "The Crown" took some hardware home, too, with Olivia Colman winning best actress in a drama series, a year after winning for her performance in "The Favourite."

Tom Hanks, also a nominee for his supporting turn as Fred Rogers in "A Beautiful Day in the Neighborhood," received the Cecil B. DeMille lifetime achievement award. The Carol Burnett Award, a similar honorary award given for television accomplishment, was given to Ellen DeGeneres. She was movingly introduced by Kate McKinnon who said DeGeneres' example guided her in her own coming out.

"The only thing that made it less scary was seeing Ellen on TV," McKinnon said.

Elton John and Bernie Taupin won the evening's most heavyweight battle, besting Beyonce and Taylor Swift. Their "I'm Gonna Love Me Again" won best song. "It's the first time I've ever won an award with him," Elton said of his song-writing partner. "Ever."

The Golden Globes, Hollywood's most freewheeling televised award show, could be unusually influential this year. The roughly 90 voting members of the Hollywood Foreign Press Association have traditionally had little in common with the nearly 9,000 industry professionals that make up the Academy of Motion Picture Arts and Sciences. The HFPA is known for calculatingly packing its show with as much star power as possible, occasionally rewarding even the likes of "The Tourist" and "Burlesque."

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